Who is this class for: The general public with an interest in the European Middle Ages Bibliophiles and collectors of medieval manuscripts in facsimile Students of European history and the history of arts Students of library and information science Students of cultural heritage and patrimony Graphic designers wishing to deepen their understanding of the roots of modern image, color, and icon design.


Created by:  University of Colorado System

LevelBeginner
Language
English
How To PassPass all graded assignments to complete the course.
User Ratings
4.6 stars
Average User Rating 4.6See what learners said
Syllabus

FAQs
How It Works
Trabajo del curso
Trabajo del curso

Cada curso es como un libro de texto interactivo, con videos pregrabados, cuestionarios y proyectos.

Ayuda de tus compañeros
Ayuda de tus compañeros

Conéctate con miles de estudiantes y debate ideas y materiales del curso, y obtén ayuda para dominar los conceptos.

Certificados
Certificados

Obtén reconocimiento oficial por tu trabajo y comparte tu éxito con amigos, compañeros y empleadores.

Creators
University of Colorado System
The University of Colorado is a recognized leader in higher education on the national and global stage. We collaborate to meet the diverse needs of our students and communities. We promote innovation, encourage discovery and support the extension of knowledge in ways unique to the state of Colorado and beyond.
Ratings and Reviews
Rated 4.6 out of 5 of 35 ratings

This is definitely a must for anyone with an interest in history. The combination of the historic backdrop and the practical nature of manuscript studies makes it even more

While this course was not exactly what I had expected, it certainly offered insights that I would have never imagined. More importantly, I now know the terminology used and can differentiate the different periods in which the books were bound.

What I loved most was the hands-on-project, which takes the students through the full process of not only creating an illuminated manuscript, but it also drives the student to one of the most important elements which makes up the codex, the binding.

Participating in the above process is invaluable. If you're a lover of illuminated manuscripts, or letters, the freedom towards the creative process is quite "illuminating." Coming up with the content for the copy and the corresponding illustrations was quite fun and somewhat unnerving at the same time. I was nervous about approaching the illumination, not of the letters, but of the other elements such as the initials. Once done, though, it was a very satisfying feeling. The binding process was a bit unnerving as well, not because it's so difficult, but because I didn't necessarily have all the tools.

Having said, this, I would have given the course 5 stars. I gave it 4, only because, the binding process "how to" was not the most clear.

Otherwise, this is an excellent course which I highly recommend. I look forward to other related courses.

Even though I already had some knowledge on Medieval manuscripts via Philology and Paleography courses I took as part of my BA English Language & Culture, this course gave me additional and broader knowledge on the subject, particularly on codicology. I found the hands-on project exercises both fun and instructional. I really learnt a lot in this course.

This is a very well-structured and informative course, suitable for students with no prior knowledge as well as students who have already some prior knowledge.

I loved it! Although one can only touch the surface of this field in such a short time frame, I learned a lot. I liked the combination of medieval history and manuscript making. It helps putting it all in perspective.