[MUSIC] Now, welcome to lesson three of developing your musicianship two. What you just heard me playing there was basically those progressions that I showed you last week, those popular progressions. I used three of the four in that progression. The first one I did was 145, 1,4,5. That's all it was. F, B flat and C. Of course I did different versions, but it's the same chord. All triads. The next one I did was the one chord to six minor. I went one, F, then D minor, which is a six minor. Back to F, D minor, and the third one I used was IV, III, II, I. IV major, B flat. III minor A minor. II minor G minor. And then the I, F. IV, III, II, I. IV, III, II, I. Those were those diatonic progressions that we worked on last week. And of course we're in the key of F, [MUSIC] Which has one flat. So, how did practicing go this week? I know you couldn't pull yourselves away from that piano, right? I know, because you love this, you love this. It's part of my brainwashing thing, I'm trying to convince you that you love this. But then again, I don't have to convince to, do I? So, I mentioned the term diatonic when we talked about these popular progressions. What does diatonic mean? Exactly, in the key of, which means, we are in the key of F. So, every one of those chords that I play [MUSIC] Contained tones only from F major. [MUSIC] Everyone knows chords had [MUSIC] Notes from the F major scale. Diatonic, remember we did the diatonic triads? F major was one [SOUND] G minor diatonic. [SOUND] A minor which was also diatonic to F. [SOUND] B flat major to four major, that was the diatonic in the key of F. [SOUND] C that's the five major chord. That's diatonic in the key of F. [SOUND] D minor the six. [SOUND] That's diatonic in the key of F. [SOUND] E diminished triad. That's on its seventh degree E, diatonic in the key of F. [SOUND] There's an F. We also did the same thing with the seventh chords. Diatonic seventh chords. [SOUND] Starts with F major seven. [SOUND] G minor 7. [SOUND] A minor 7 for the three core. [SOUND] B flat major 7 for the four core. [SOUND] C7, that's the five 7. [SOUND] D minor, that's the sixth minor 7. [SOUND] E minor 7 flat 5, another name for that is E half-diminish. That's the seventh chord and all these chords are diatonic. Another thing we did is we took those seventh chords and we put them in a different voicing. We did 7, 3, 5. So if I played these diatonic chords using that voicing for each chord, it would sound like this. [SOUND] F major, [SOUND] G minor, [SOUND] A minor, [SOUND] B flat major, [SOUND] C dominant 7, [SOUND] D minor 7, [SOUND] E minor 7 flat 5, [SOUND] F major. So see the difference between the root position [MUSIC] And the 7, 3, 5 voicing. [MUSIC] I kind of like that better. It's a little smoother, if you will. [MUSIC]