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Becky Albertalli

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Capstone: Your Story

Wesleyan University

4.6 (178 ratings) | 1.7K Students Enrolled

Course 5 of 5 in the Creative Writing Specialization

Everything comes together in the Capstone. You will draft a complete story, narrative essay, or memoir of 8–15 pages. With the advice of your peer readers, you will revise, rewrite, and complete it. The skills you’ve learned of plotting, setting, physical description, characterization, and stylistic clarity and innovation will culminate in an original work of art all your own. We’ll discuss the steps that professional writers take to bring their work into the public world. Along the way you’ll learn the patient habits of revision that make up the writer’s life.

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4.6 (178 ratings)

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DA

Aug 02, 2017

The resources have been great tools to help design and finish a polished piece. A great course for all kinds of creative writers!

NN

Jan 17, 2019

Brilliant! Would be enhanced to have a template for outline a story for future students, if possible\n\nCheers,\n\nNev.

From the lesson

Finishing the First Draft

Compose, compose, compose. This week is devoted completely to pushing through that crucial deadline: finishing your first draft by the end of the week. As you compose, you’ll get some advice from successful Wesleyan alumni writers who have gone from where you are to published books out there in the world.

Una LaMarche10:08

Lin-Manuel Miranda1:41

Ayelet Waldman5:13

Becky Albertalli6:13

Taught By

Salvatore Scibona
Frank B. Weeks Visiting Professor of English

Transcript

Hi, my name is Becky Albertalli and I graduated from Wesleyan in 2005.

I'm an author of young adult fiction and my first book, Simon vs.

the Homo Sapiens Agenda, came out in April of 2015, from Harper Collins.

I want to talk to you guys a little bit today about writing and

my process writing this book.

And also my process in writing the follow up to this book which is scheduled to

release in 2017 also from Harper Collins.

I drafted Simon in about four months, and I actually used the program Scribner for

most of my drafting process, which you may be familiar with.

And what I did is I created a loose outline, which I

followed until I didn't, so basically every time it felt like the characters

wanted to move the story in a different direction, I would just follow them there.

And what I found is, for me, a lot of the most important moments in the book

happened when I kind of gave the reigns to my characters,

and let them take the story in a different direction than I had originally planned.

So I've learned to just go with it.

That is not the case for every author.

There are some authors who do a lot better with the structure of a really good

outline.

There is some authors who can't outline at all.

I'm like kind of in the middle.

Writing the scripts but in some ways is kind of a charm experience and

then writing the second book, I feel like maybe I have been paying

my dues a little bit because I have written seven versions of it so far.

I'm currently revising my seventh draft and

most of the previous drafts have been rewrites.

It has been a really long road.

Once again I outlined loosely and

I did try to follow my characters wherever they took me.

It has been a long and frustrating process with this one.

I think we're finally getting close some books,

I think just come together more quickly than others and so

one of the things that I've been working on is

just trying to be okay with the fact that the process my change from book to book.

And I think that's the most important thing that I would want you to remember

while you're working is that, every author's process and

learning is going to be a little bit different.

And that's okay but also every book that you work on may feel a little

bit different from other books that you've worked on in the past.

And that's cool.

I wish I knew the answer to this, like I wish I knew the thing that fix writers

blog reliably every single time, I don't think there is a thing,

I have a couple of things that I tried to do that worked for me sometimes.

But not all the time.

Sometimes I'm able to just kind of right through it and that is something that I

particularly do when I'm on deadline I guess because we have to.

But now, I'm in a completely contradict myself and

say that there are times when they found.

I just have not been able to right through it and I need to step back, so

that's another thing I give myself permission to do sometimes.

If I just can't make a scene work or

if I just feel like the book is driving me nuts and

I can not productively move forward with it in a given moment,

I will step back for a little bit and just try to give myself some space from it.

It helps to be kind of thinking about it in the back of my mind I found.

So I will do things like create a playlist that I associate with my book.

And I don't listen to music while I write, personally.

But I find it helpful to listen to music, especially in the car for

me just to get me kind of like daydreaming about my characters and

my mind making connections unconsciously then.

And a lot of times it's really productive.

Like all of a sudden, something will come together for

me that seems really obvious in hindsight but just as something that I could not

piece together when I was sitting there in the trenches with my word document open.

Another thing that I do is I like to create secret Pinterest

boards associated with my books.

Just full of images that I associate with different scenes or people.

People who look like different characters in my head.

And that's something that I've found will keep me in that head space for

my book, but it's also a way to let my mind relax a little bit.

And then, my last piece of advice is just to get really good critique partners,

other writers who can really help you identify places where the story may not be

working or just some of these little repetitive writing ticks that we all do.

I have a lot of them, and luckily I have really good critique partners.

And another thing too, is if you are writing a book featuring a character from

a marginalized community that you don't belong to.

So for example, my book Simon is about a gay 16 year old boy.

Sorry. It's helpful too to have readers who

are from that group who can kind of vet your book and make sure that it doesn't

include any harmful stereotypes, in that the representation of that group feels

authentic to people who have actually lived through those experiences.

And other than that, just try to have fun with it.

It is really difficult sometimes, especially during those

moments when you're feeling stuck and when you're dealing with writer's block.

But if you can get over the hump and push through it, it is so worth it.

It is such a gift to be able to tell stories as my job.

I love it.

And I wish you all the best of luck with your writing.

And thank you so much for letting me be a part of this process with you.

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