Okay, I'd like to show you ReVoice, ReVoice Pro, a great tool for aligning multiple vocals in a session. Here are four vocals, and my vocal part. They're singing the same phrase. They pan left, right, left and right. >> Much more than just your name. >> Let's put them on top of each other, option, option, option and option. >> Much more than just your name. >> You can hear that they're not performing together, I'll just isolate two of them. >> Much more than just your name. A couple of pitch rubs, a couple of timing rubs. If I pan them left and right, you can hear those rubs. >> Much more than just your name. >> Slightly less, because they're not on top of each other. That's why I wanted to put them in the same plane, so you can kind of hear the rubbing. This is one vocal. >> Much more than just your name. >> Now, this is two vocals. >> Much more than just your name. >> I will make sure that ReVoice Pro is open, and I will create a new ReVoice process. I'll go back to Pro Tools, and open up my audio suite ReVoice Pro link. This will link Pro Tools with the ReVoice plugin, the standalone plugin. I will now look at these four vocals and create an edit, so that all four of them will have roughly the same size. I will select the first vocal, and I'm going to impose the rhythm of this first vocal unto the rhythm of the other four vocals. So let's listen again, and see where some of the rhythms might not really line up. >> Much more than just your name. >> It's a little bit easier if I pan them, so we can really check. So, when I fix them, you can see that they have been fixed. >> Much more than just your name. >> There's a little bit of fluctuation at the back of name. One voice ends before another. And if I zoom in, you can probably see that even better. These two voices are a little bit later than those voices. And what I will do now is look at these first two voices. I'll do these one at a time. So, I've selected audio one, and I'm going to do a capture. I'll go to my second vocal, and that'll go to my second position in ReVoice, and you'll see that in a second. We'll do a capture, we'll go over ReVoice, and there are the two vocal phrases. In my stand alone plugin ReVoice. >> Much more than just your name. >> And you can hear that those vocals are performing just as they are in Pro Tools. I will now create a new APT. And select the first voice, which is going to be my guide. The second voice is my dub, and this third track will be the output of the correction. I will select that first track, do New Process, and it's waiting for me to render. The corrections that are inherent on this first track will be imposed. On the second track, and we did the render, and there we are. Let's mute the second track, and listen to one and three. >> Much more than just your name. >> Now, I can get to those parameters. I'll just undo that, select this track once again, select the ReVoice window and hit p, going to create a new process first, hit p, and p will bring up the parameters for my transfer. I can go in and affect the timing, I can affect the pitch, and I'll use a preset for us, just so we can see that I can go in and do the tightest time. And pitch and process that, and that will line that second voice up with the first voice and create something very tight for us. Now I'm going to currently listen to one and three. >> Much more than just your name. >> Wow, that's incredible. So let's listen to the original. Vocal one and two sounded like this. >> Much more than just your name. >> And now that second vocal sounds. >> Much more than just your name. >> Like this. I can go into Pro Tools, look at audio three, and spot that. And if I listen to one and two now in my proto session, it will sound like this. >> Much more than just your name. >> Pretty tight. I can continue on, solo vocal three now. We'll select vocal three. We'll go back to ReVoice and select Edit Audio on the second vocal. And then delete selected audio, so that voice is now gone. We'll go back to Pro Tools, and we'll move the third vocal into the audio two spot by hitting Capture. We'll now go back to a ReVoice. We'll look at these two voices, and we can use the same process, we didn't have to create a new process, so we're going to use the same process, but now we're actually imposing that on a different vocal. We'll go back into our Presets, and this time, we won't do Tightest Time and Pitch, we'll do Tight Timing Only. And with Tight Timing Only, it'll keep the pitch anomalies, but the timing will be the same. And we will process it, and take a listen. >> Much more than just your name. And if I listen to it, previously it sounded like this. >> Much more than just your name. >> Let's listen to it now. >> Much more than just your name. >> The timings are a lot tighter. I'll go back to Pro Tools, and audio three will now be spotted. And I had the pitch notes, so if you remember when we first looked at this, audio three and audio four were longer than one and two. And when I did the processing, this actually came down to be about the same length as one and tow. Now, those lengths are really, really lining up nicely there. Let's listen to all three vocals together. >> Much more than just your name. >> And I'll put them all in the center, so you can really hear that they're really lining up well. >> Much more than just your name. >> It's the slight pitch variation of three that's causing that little pitch rub, and that's good for background vocals. Let's look at out fourth vocal. We'll go back into ReVoice. We will edit this second track, we will delete this selected audio, whoops, sorry, we'll delete this selected audio. We'll go back to pro tools and one, two, three, we'll grab our fourth vocal now, and that fourth vocal will go into the audio two position, we'll do a capture. Now, this is our fourth vocal, and we're going to, once again, use the same process, so we don't have to create a new process, and what we will do is see if we want to do something different with our factory presets, Slightly loose timing pitch. Yeah, let's try that, slightly loose timing pitch. So, once I select that, it's giving me a different process that I can work with. And let's actually make sure that this length is right, yeah, it's right. And what we will do now Is go in and render that and take a listen. >> Much more than just your name. >> So, a fantastic tool. I'll go in and move audio three into that fourth position, and we'll listen to all four of our vocals. And if you look at these lengths, all these lengths are relatively close at the end now. Remember, this fourth one was kind of loose. And let's listen to them in the stereo field, in the phantom center first. >> Much more than just your name. >> A lot tighter than they were, let's pan them out left, right, left, right, and listen. >> Much more than just your name. >> Fantastic tool, I've tightened up four vocals, I've got many more vocals to go, I'll let you hear the phrase. >> Much more than just your name. >> So I could do that, I could take this first vocal, and apply the timing to the other harmonies, looking at the timing of course, not the pitch. Looking at the other harmonies, and line all the timings up of multiple vocals singing different notes. This is a fantastic tool, ReVoice, part of our arsenal in vocal production. If you're seriously thinking about getting into vocal production, you'll want to look at all of the tools presented in this lesson.
