1:06
It should have a different vowel sound than any of the other words in the key
word list. Otherwise, we're being redundant and
trying to, you know, go through the rhyming dictionary using the same vowel
sounds, but maybe with slightly different consonant sounds.
Remember that we're here dealing with the concept of hobo wind, that is a little
bit less stable. And so, less stable rhyme types will be
in play. So we'll start out right away with only
keywords that have different vowel sounds.
Now, obviously, the place to start for me at any rate here since I already have my
central idea of hobo wind. Is to deal with the long o sound of hobo
and also with the short i sound of wind. So that since wind is already in the
rhyming position, that is it's the last word of the title we'll start with wind.
And then probably move to hobo from there.
And what other ideas might be relevant? Well, the Hobo Wind cuts a path through
the world Follows the path.
And so it seems to me that, you know after having looked up.
You know travel path tra , having looked up traveler and so on.
In the thesaurus it seems like path might be a good place to,a good place to work.
Path being, you know, a one syllable word that could easily end up in rhyming
position. So there's the short a sound, so now we
have the [SOUND] we have the [SOUND] we have the [SOUND] of path.
3:08
and then, another, another word, the, the the, the rush of wind.
and I like the word rush, because rush also is, is, is, is both a noun, so that
as a noun I enjoy the rush for example. and also, it's, as a verb, to rush into
something. Now normally, if you're using it as a
verb, it can occur in the middle of a line, probably not so often in rhyming
position. But when it does, it will therefore, if
we find words to go with it. It can therefore form a kind of knitting
of vowels sounds inside the lines. I don't want to call them internal rhymes
so much as creating a sonic fabric. So I kind of like the word rush and and
so there it is in our list of keywords. the word roar, roar.
There's a roar of the wind. Seems like a nice place to go, so I added
that. Note that the vowel sound in roar is the
long o sound of hobo roar. But yet, when we have r or l, but
particularly r, it raises the middle of the tongue to the soft palette
[SOUND].
And at that point, changes the way the vowel sound works.
So that roar and hobo really aren't that closely related.
And then finally, the wind is a wanderer. A wanderer,
and so we'll pick that up, too. And so, there are our key words, and we
will start using those key words as keys, sonic keys, those vowel sounds.
And we'll start exploring in the rhyming dictionary where we can go, relative to
those vowel sounds. Alright, let's start with wind.
Going to the rhyming dictionary for wind, almost everything in the rhyme column for
wind is something in past tense, grinned, sinned.
and so the first thing I want to do then is say okay well, I don't know if I want
to you know, this is very present thing that I'm talking about.
I'm hearing, oh you wind, and I'm wondering where you've been.
Okay well maybe there's a past tense there.
But in the rhyming dictionary under wind, I didn't really find anything that
stimulated me, that took me someplace that I found interesting with what I had
to offer for this concept. and so I just decided no, let's not deal
with any of those words. They, you could write them down, but why?
Because you, you're going to find a lot of words in the rhyme searches.
They say, oh yeah, I'm definitely going to use this.
And then, of course, you'll probably not use it, but you only want the ones that
say, yeah, use me because here's what I can do for you.
So, where do we then proceed from wind, wind?
Well, one of the things that we can do is take the d of wind, and look on the
family rhyme table. At the partner of wind, th, th, th,
sound. Now, we have the unvoiced plosives
[SOUND] int, int. And so perhaps hint, hint might be an
interesting idea because the wind hints. Maybe where, where, where, it's gone,
come from, where it's going to go. And so hint seems to be something that I
might want to, you know I want to give the wind a hint, that I want to go with
it. And so perhaps hint and so I write down
hint here in my rhyme column. Its probably the most perfectly related
in terms of perfect rhyme, strong family rhyme because it contains the nasal and,
and then simply tags with a plosive. And so that wind, hind really sounds like
a perfect rhyme. that may be enough by the way not to
bring it into play in this fairly unstable thing, but I like the idea of
the hint that the wind gives. So the next step might be simply to drop
the d sound and use the subtractive rhyme.
Going from wind to something like spin or sin.
Sin is interesting, because the hobo is certainly a sinner.
9:27
The wind is howling outside, brushing up against my house, as it were.
Brushing up against, the next word, the skin of my house.
I want to feel it on my skin. Working with sin, and so now we're still
developing this idea, and this is simply the subtractive rhyme.
And note because the plosive is not a great deal of sound, that dropping it
still leaves us a very, very connected rhyme of a relatively stable rhyme.
Now, even in unstable sequences, there are places where you might want a really
resonating rhyme, particularly if you are separating the rhymes at some distance
from each other. So working here with with, with the
subtractive rhymes seems to make some sense.
Another place we could go, now is using in.
11:56
Hymn really opens things up. I never would have gotten that idea of
this sort of choir, this sort of religious aspect, had I not been in my
rhyming dictionary. And by the way, just FYI, have knowledge
of, the family rhyme table. So that even though the family rhyme
table seems like a very technical thing, the results that you can find when you
are using your rhyming dictionary as a brainstorming tool, can be mind blowing
and for me this whole ocean of singing, this all ocean of the wind singing.
And me singing along now feels like it can create a spine throughout the song,
that high wind I hear you out there in I wonder I I wonder quite experience have,
have been. In the song that you carry with you and
can I sing along. And so that seems to be something that
might be very, very interesting trail to follow in the song.
And going through again continuing through the im sound we get, we get
things like whim. that or swim.
now swim might be interesting. Swimming through the trees.
But, at some point, we don't want to mix the metaphors.
That is, if the wind is a singer it doesn't necessarily have to be singing
while it's paddling through the water. or swimming through the trees, but on
that I'll, I'll just in case I want to get out of this hymn saying, I'll write
down swim because of course the wind does swim across the oceans and so on.
And so that's there too. Still in my family rhyme table in the
nasals, note the ng sound. now, the ng sound.
Do it a couple of times, [SOUND] , as in sing, ng, ng,ng,ng .
that the middle of your tongue is up against your soft palate.
And what that does with the short i sound, eh .
a, a do that a, a, a what that does with the sure i sound is it raises the middle
of your tongue to your soft palette and turns it into almost a long e.
So that if I look up i in g as in the word sing, sing.
Sing you don't get a [SOUND] you get sing it's almost ENG sing.
and so there's a transformation of the vowel sound there but nonetheless since
we're in a context where sing seems to be now with him a a very relevant concept.
Well not well, even though it's fairly unstable.
Which is what our song is about. We'll now write down sing.
And we might write down spring. And if we want to go then, even a little
further away, to assonance rhymes. Or, better yet, another way to put this
is to keep the [SOUND] sound and then change the nasal [SOUND] to a fricative
we might get something like drift, drift, wind, drift.
Note that the I sound is is preserved. But yet, at the same time, we're getting
a fairly unstable sound. And then, the least stable, of course,
the consonants rhyme, note that nd, nd, is kind of a mouthful.