The blues is an American art form and the most important musical form in jazz. Although there are other formal paradigms of the blues, such as 8-bar or 16-bar, this course focuses on different incarnations of the 12-bar blues. There are considerable differences between Early Jazz blues, Swing blues, Bebop blues, Modal blues, and Post Bop blues. Each type has its unique harmonic syntax, melodic vocabulary and, associated with them, improvisational techniques. While other aspects of jazz performance practice have been constantly changing from one stylistic convention to another, the blues has never lost its identity and expressive power, and continues to exert a powerful influence on the harmonic and melodic syntax of jazz.
This seven-week course explores important aspects of the blues, blues improvisation, basic keyboard textures, jazz harmonic and melodic syntax. Topics include: (1) Blues Progressions; (2) Blues and Other Scales; (3) Improvisational Tools, and others. This course will also cover valuable theoretical concepts enabling the student to master the art of jazz improvisation. Each topic will be introduced from a practical perspective with the clearly stated goal: to improve one’s improvisational skills. Jazz improvisation is rooted in spontaneity, creativity, self-expression and, at the same time, self-control and order. A unique pedagogical approach based on a one-to-one musical interaction conducted with different instrumentalists will help to reinforce many of the concepts introduced in this course and realize its stated objectives.
Lesson 1 focuses on foundational aspects of the blues, examining its history, innovation, and evolving harmonic structure. At the end of this lecture, students should have a firm understanding of the harmonic structure of the basic, generic, and minor blues forms, as well as a familiarity with the A A’ B phrase-structure of the blues.
What's included
7 videos1 assignment
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7 videos•Total 50 minutes
Course Introduction Video•6 minutes
Lesson 1 Introduction•4 minutes
Historical Overview (12:00)•12 minutes
Generic Blues (6:25)•6 minutes
Basic Blues Progression•9 minutes
Minor Blues (6:49)•7 minutes
AA’B Phrase Structures (5:54)•6 minutes
1 assignment•Total 30 minutes
Quiz - Lesson 1•30 minutes
Blues Scales
Module 2•1 hour to complete
Module details
Lesson 2 dives into what makes the blues tick, beginning with an examination of the blues scale and the basics of jazz rhythms and blues riffs. Students will then explore call and response techniques and application of the blues scale in improvisation through demonstration with a live musician.
What's included
6 videos1 assignment
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6 videos•Total 57 minutes
Lesson 2 Introduction (4:38)•5 minutes
The Blues Scale (8:08)•8 minutes
Jazz Notation and Jazz Rhythm (12:34)•13 minutes
Blues Riffs (11:40)•12 minutes
Call and Response (6:34)•7 minutes
One-Scale Improvisation and “East Main Blues” (13:22)•13 minutes
1 assignment•Total 30 minutes
Quiz - Lesson 2•30 minutes
Keyboard Realization
Module 3•2 hours to complete
Module details
Lesson 3 introduces the concept of guide tones and its association with invertible counterpoint. Four-part and five-part chords are discussed in detail by exploring their construction and function, as well as techniques to facilitate good voice-leading between chords using chordal inversions.
What's included
7 videos1 assignment
Show info about module content
7 videos•Total 65 minutes
Lesson 3 Introduction (3:45)•4 minutes
Guide Tones (8:53)•9 minutes
Invertible Counterpoint (4:20)•4 minutes
Charleston Rhythm (10:04)•10 minutes
Four-Part Chords (9:35)•10 minutes
Five-Part Chords (9:43)•10 minutes
Comping Texture (18:58)•19 minutes
1 assignment•Total 30 minutes
Quiz - Lesson 3•30 minutes
“Bird” Blues and Other Blues Progressions
Module 4•1 hour to complete
Module details
In lesson 4 students analyze harmonic progressions from 3 jazz standards: “Now’s The Time,” “Billie’s Bounce,” and “Blues For Alice.” Practice techniques are discussed, including ear-training strategies, rhythmic displacement, and voice-leading exercises.
What's included
7 videos1 assignment
Show info about module content
7 videos•Total 52 minutes
Lesson 4 Introduction (2:42)•3 minutes
“Now’s the Time” Progression - Analysis (5:45)•6 minutes
“Blues for Alice” Progression - Analysis (6:06)•6 minutes
Practical Tips (13:01)•13 minutes
1 assignment•Total 30 minutes
Quiz - Lesson 4•30 minutes
Improvisational Tools
Module 5•2 hours to complete
Module details
Lesson 5 introduces 3 more jazz standards for analysis: “Mr. PC,” “Mr. Day,” and “Isotope.” Tritone substitutions are examined, and pentatonic scale as tools in improvisation are introduced through exploration of their construction, typical voicings, and voice-leading principles.
What's included
8 videos1 assignment
Show info about module content
8 videos•Total 65 minutes
Lesson 5 Introduction (2:39)•3 minutes
“Mr. PC” Progression – Analysis and Tritone Substitutions (10:49)•11 minutes
Pentatonics and Pentatonic Voicings (13:44)•14 minutes
Lesson 6 centers around the demonstration of improvisational techniques discussed thus far, including motivic development, guide-tone lines, and chordal arpeggiation. Observation of live Eastman musicians, as well as play-along tracks provided by the rhythm section, allow the student to imitate, assimilate, and apply the techniques discussed in the course.
What's included
14 videos1 assignment
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14 videos•Total 87 minutes
Lesson 6 Introduction and “Half Past Nine” (4:55)•5 minutes
Techniques of Motivic Improvisation (13:19)•13 minutes
Demonstration of Motivic Improvisation (3:30)•4 minutes
Play-Along Session – “Now is the Time” Progression (4:19)•4 minutes
“Billie’s Dance” (3:12)•3 minutes
Guide-Tone Improvisation (15:38)•16 minutes
Demonstration of Guide-Tone Improvisation (3:49)•4 minutes
Demonstration of Arpeggiation of 5-part Chords (4:30)•4 minutes
Play-Along Session – “Blues for Alice” Progression (4:16)•4 minutes
1 assignment•Total 30 minutes
Quiz - Lesson 6•30 minutes
Improvising the Blues – Part 2
Module 7•2 hours to complete
Module details
Lesson 7 explores modal categories and scalar patterns in improvisation, in addition to continued discussion on pentatonics. As in the previous lesson, live musicians demonstrate key concepts and principles presented in the lecture, with additional play-along tracks provided for the student to explore concepts on their own.
What's included
12 videos1 assignment
Show info about module content
12 videos•Total 79 minutes
Introduction and Diatonic/Chromatic Modes (7:46)•8 minutes
Modal Categories (10:06)•10 minutes
Characteristic Triads and Practice Tips (13:13)•13 minutes
Minor Blues - “Sea Blues” Improvisation (7:50)•8 minutes
The University of Rochester is one of the nation's leading private universities. Located in Rochester, N.Y., the University provides exceptional opportunities for interdisciplinary study and close collaboration with faculty through its unique cluster-based curriculum. Its College, School of Arts and Sciences, and Hajim School of Engineering and Applied Sciences are complemented by its Eastman School of Music, Simon School of Business, Warner School of Education, Laboratory for Laser Energetics, School of Medicine and Dentistry, School of Nursing, Eastman Institute for Oral Health, and the Memorial Art Gallery.
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