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There are 4 modules in this course
Typography is the art of manipulating the visual form of language to enrich and control its meaning. It’s an essential area of skill and knowledge for graphic designers. Typography predates modern graphic design by around 500 years; it is rich in rules, conventions, and esoteric terminology—but it remains an exciting space for invention and expression.
In this rigorous introductory course, we will study, name, and measure the characteristics of letterforms. We’ll consider the pragmatic concerns involved in selecting and combining type. We’ll peek into the rich historical, cultural, and aesthetic histories of familiar typefaces. We’ll discuss time-tested conventions and best practices in setting type, as governed by principles of hierarchy and spatial organization. And we’ll explore the expressive, meaning-making potential of type.
Informative lectures will be complemented by a series of three peer-assessed assignments, culminating in an opportunity to design a full-scale typographic poster.
Please note that this is not a software course; a basic working knowledge of Adobe InDesign or other page layout software will be assumed. You will need access to a computer and page layout software, such as InDesign, to complete the assignments.
Master the foundational mechanics of letterforms by analyzing typefaces as both physical artifacts and engineered design systems. This week, you will conduct a rigorous study of typographic anatomy, identifying the formal elements—such as counters, terminals, and x-heights—that define a typeface's unique character. You will gain technical fluency in the Standard Point System and pica measurements to describe and scale type with professional precision. By evaluating the form and proportion of glyphs, you will develop a strategic framework for font pairing and optical hierarchy, ensuring your typeface selections are both historically informed and functionally sound. The module concludes with a technical assessment of your typographic literacy.
What's included
6 videos6 readings3 assignments
Show info about module content
6 videos•Total 21 minutes
Course Welcome•3 minutes
Font versus Typeface•5 minutes
Stroke and Proportion•4 minutes
Type Anatomy•3 minutes
Measuring Type•3 minutes
Choosing a Typeface•4 minutes
6 readings•Total 130 minutes
About this Course•10 minutes
The Importance of Peer Review•10 minutes
Font versus Typeface: Defining Terms•5 minutes
Type Anatomy Review•5 minutes
Optional Project: Create a Type Specimen•90 minutes
The Art of Pairing Typefaces•10 minutes
3 assignments•Total 20 minutes
Week 1 Quiz: Describing Type•10 minutes
Type Terms•7 minutes
Practice Quiz: Qualities of Type•3 minutes
Week 2: Historical Context & Classification
Module 2•6 hours to complete
Module details
Investigate how typefaces function as visual signifiers, carrying deep connotative meaning through their historical and cultural associations. This week, you will conduct six technical case studies on landmark typefaces—including Bembo (Humanist), Didot (Modern), Clarendon (Egyptian), and Helvetica (Modernist)—to understand how their forms were shaped by technological shifts like the Industrial Revolution and the Avant-Garde movement. You will master the standard classification system to categorize letterforms and apply visual semiotics to decode the "stories" fonts tell within different design contexts. The module culminates in an independent typographic research project, where you will analyze the formal and cultural trajectory of a typeface of your choosing.
What's included
7 videos11 readings2 assignments
Show info about module content
7 videos•Total 26 minutes
Typefaces and their Stories•2 minutes
Bembo: Humanist Letters•4 minutes
Didot: Enlightened Refinement•4 minutes
Clarendon: Type for the Masses•4 minutes
Futura: the Typographic Avant-Garde•4 minutes
Helvetica: International Modern•4 minutes
Scala Sans: Typographic Remix•4 minutes
11 readings•Total 315 minutes
A Closer Look at Bembo•5 minutes
A Closer Look at Baskerville & Didot•10 minutes
A Closer Look at Clarendon•5 minutes
A Closer Look at Futura•5 minutes
A Closer Look at Helvetica•5 minutes
Helvetica: Hero or Villain?•120 minutes
Scala Sans: A Closer Look•5 minutes
Explore the World of Contemporary Type•20 minutes
Build a Typeface Library•10 minutes
Discussion: Your Type of Type•10 minutes
Optional Project: Get to Know a Typeface•120 minutes
2 assignments•Total 16 minutes
Week 2 Quiz: Typefaces and their Stories•10 minutes
Practice Quiz: Type History Review•6 minutes
Week 3: Grid Systems & Typographic Hierarchy
Module 3•10 hours to complete
Module details
Master the technical and aesthetic conventions of professional typesetting by manipulating the spatial relationships within a layout. This week, you will develop high-level proficiency in micro-typography, specifically controlling kerning (letter-spacing), leading (line-spacing), and tracking to optimize legibility and visual tone. You will implement rigorous typographic hierarchy and baseline grid systems to organize complex information and establish clear navigational paths for the reader. By applying established industry standards for orphans, widows, and rags, you will add professional polish to your designs across both print and digital environments. This module features hands-on typesetting projects and a technical assessment of your layout precision.
What's included
6 videos11 readings2 assignments
Show info about module content
6 videos•Total 26 minutes
Working with Type•2 minutes
Typographic Space•6 minutes
Page Space•5 minutes
The Grid•4 minutes
Creating Hierarchy•3 minutes
Typographic Conventions•6 minutes
11 readings•Total 550 minutes
Typography as a ‘Crystal Goblet’•30 minutes
A Kerning Challenge!•10 minutes
The Principle of Proximity•10 minutes
Grids: A Visual Review•10 minutes
The Swiss Grid•10 minutes
Optional Activity: Analyze a Newspaper•90 minutes
Typesetting by the book•10 minutes
Optional Project: Typeset an Article for Print•180 minutes
Typography on the Web•10 minutes
Resources for Web Typography•10 minutes
Optional Project: Typeset an Article for Screen•180 minutes
2 assignments•Total 16 minutes
Week 3 Quiz: Working with Type•10 minutes
Practice Quiz: Typographic Conventions•6 minutes
Week 4: Expressive Typography & Poster Design
Module 4•5 hours to complete
Module details
Synthesize your technical and historical knowledge to master the art of expressive typography. This week, you will move beyond functional legibility to explore experimental typesetting as a vehicle for visual metaphor and conceptual depth. By analyzing the boundary-pushing work of CalArts designers and contemporary practitioners, you will learn to intentionally deconstruct typographic rules to amplify a text's emotional and narrative resonance. The course culminates in a capstone portfolio project: the design of a full-scale typographic poster. In this final synthesis, you will apply rigorous compositional hierarchy and connotative strategy to transform language into a high-impact, professional-grade visual statement.
What's included
4 videos6 readings1 assignment
Show info about module content
4 videos•Total 17 minutes
Making Meaningful Type•2 minutes
Typesetting with Expression•6 minutes
Beyond Typesetting•5 minutes
The Typographic Poster•4 minutes
6 readings•Total 110 minutes
Optional Project: Typeset a Film Title•60 minutes
Typographer Profile: Anja Kaiser •10 minutes
Typographer Profile: Polymode Studio•10 minutes
Typographer Profile: Nat Pyper•10 minutes
Reading: Discovering the CalArts Poster Archive•10 minutes
What's Next?•10 minutes
1 assignment•Total 180 minutes
Week 4 Project: Design a Typographic Poster•180 minutes
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CalArts has earned an international reputation as the leading college of the visual and performing arts in the United States. Offering rigorous undergraduate and graduate degree programs through six schools—Art, Critical Studies, Dance, Film/Video, Music, and Theater—CalArts has championed creative excellence, critical reflection, and the development of new forms and expressions.
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Learner reviews
4.8
5,826 reviews
5 stars
82.82%
4 stars
14.39%
3 stars
2.04%
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RG
4·
Reviewed on Aug 1, 2019
I was excited to learn about typography, these assignments were fun to do. I wished there were more assignments to create more posters for this typography course, overall I enjoyed and learned a lot.
A
AB
5·
Reviewed on Dec 16, 2020
This is some really professional grade knowledge. I did not know that this course could have such a great impact on my ideology of design. This changed everything I think about design.
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EO
5·
Reviewed on Dec 17, 2017
Reviewed some of what we learned about Typography in the first course (Fundamentals of Graphic Design), but did expand in some areas. Interesting and informative and great course assignments.
Do I need to be an expert in Adobe InDesign or Illustrator before starting?
The course focuses on design proficiency—the "why" of type—assuming you can navigate the "how" of the tools to execute your projects. While this is not a software tutorial, a basic working knowledge of Adobe Creative Cloud (specifically InDesign or Illustrator) is recommended for the optional assignments.
What is the difference between a "Typeface" and a "Font" in this course?
This is a key technical distinction covered in Week 1. A Typeface refers to the specific design or "family" (e.g., Helvetica), while a Font refers to the specific weight, size, or style within that family (e.g., Helvetica Bold, 12pt). Mastering this nomenclature is essential for professional design discourse.
What is the "Typographic Poster" project in Week 4?
The capstone project is an exercise in Expressive Typography. You will move beyond functional typesetting to treat type as a visual material, using scale, contrast, and narrative to create a poster that communicates meaning through its form as much as its content.
Will I have the opportunity to get feedback on my work from other learners?
Absolutely! While not required, we strongly encourage you to participate in our peer review community via the course discussion forums. Peer review—or the "critique"—is a fundamental part of how professional designers work at top agencies and studios worldwide.
How it works:
The "User Test": Share your designs to see if your intended message is actually coming across. If you want your type to look "bold and rebellious" and your peers feel that energy, you know you’ve succeeded!
Guided Feedback: You'll learn how to ask for specific help (like advice on typeface choice or composition) and how to provide constructive, gentle suggestions to others.
Skill Building: Acting as a reviewer is just as valuable as being the designer. By analyzing why certain designs work or don't work, you'll develop a "professional eye" that will make your own design decisions more intentional and easier to justify to future clients.
Whether you are looking for fresh ideas or want to practice articulating your design choices, the forum is a polite, supportive space to grow alongside fellow learners.
Can I take this course for free on Coursera?
If you are a CalArtian (current student, faculty, staff, or alumnx of CalArts), you may enroll in this course at no cost through the Coursera for CalArts program.
When will I have access to the lectures and assignments?
To access the course materials, assignments and to earn a Certificate, you will need to purchase the Certificate experience when you enroll in a course. You can try a Free Trial instead, or apply for Financial Aid. The course may offer 'Full Course, No Certificate' instead. This option lets you see all course materials, submit required assessments, and get a final grade. This also means that you will not be able to purchase a Certificate experience.
What will I get if I subscribe to this Specialization?
When you enroll in the course, you get access to all of the courses in the Specialization, and you earn a certificate when you complete the work. Your electronic Certificate will be added to your Accomplishments page - from there, you can print your Certificate or add it to your LinkedIn profile.
Is financial aid available?
Yes. In select learning programs, you can apply for financial aid or a scholarship if you can’t afford the enrollment fee. If fin aid or scholarship is available for your learning program selection, you’ll find a link to apply on the description page.