Welcome to Exploring Beethoven's Piano Sonatas Part 5! You’re joining thousands of learners currently enrolled in the course. I'm excited to have you in the class and look forward to your contributions to the learning community.
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WELCOME TO CLASS! We are thrilled that you have joined us for Part 5 of Exploring Beethoven's Piano Sonatas course, taught by Jonathan Biss, Chair of Piano Studies at the Curtis Institute of Music. Jonathan is recognized as a world-renown concert artist and musical thinker. This course is Part 5 of the existing series called Exploring Beethoven’s Piano Sonatas. As with all sections of this course, Part 5 contains new and separate sets of lectures. Specifically, we will dive into Beethoven's Piano Sonata Op. 27, No. 1; Sonata Op. 31, No. 1; Hammerklavier, Op. 106, to which there are two dedicated lectures for this monumental work. It is important to remind you that it is not necessary to have taken the previous Exploring Beethoven's Piano Sonatas courses, in order to enroll in this one. We think you will be perfectly comfortable to start learning with Part 5 if you wish and continue backwards. Between these courses, there exists a large amount of additional resources and learning that might be helpful as you embark on Part 5. And of course, we strongly encourage you to take Parts 1, 2, 3 and 4, if you have not yet. In the meantime, have a terrific time taking this class and Part 5 of Exploring Beethoven’s Piano Sonatas.
What's included
3 readings
Show info about module content
3 readings•Total 30 minutes
Welcome to Part 5 of Exploring Beethoven's Piano Sonatas!•10 minutes
Syllabus•10 minutes
Getting to Know You•10 minutes
Op. 27, No. 1
Module 2•1 hour to complete
Module details
What's included
9 videos1 assignment
Show info about module content
9 videos•Total 59 minutes
The “Moonlight’s” Unjustly Neglected Sibling•3 minutes
Bridging the Gap Between Fantasy and Sonata•6 minutes
The Curtis Institute of Music educates and trains exceptionally gifted young musicians to engage a local and global community through the highest level of artistry. A tuition-free policy ensures that talent and artistic promise are the only considerations for admission. With a small student body of about 175, Curtis ensures that each young musician receives an education of unparalleled quality, distinguished by personalized attention from a celebrated faculty and a “learn by doing” philosophy. Curtis students hone their craft through more than 200 orchestra, opera, and solo and chamber music offerings each year in Philadelphia and around the world.
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Learner reviews
5.0
48 reviews
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M
M
5·
Reviewed on May 1, 2023
Another well done course by Mr. Biss! There's always more to learn about Beethoven and his music, and 5 courses in, I know so much about Beethoven and still crave for more. Onto Part 6!
P
PJ
5·
Reviewed on Dec 19, 2020
fantastic like the previous four parts - strongly recommended to anyone interested in classical music!
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VS
5·
Reviewed on Feb 14, 2020
This is an excellent course and Jonathan Biss is a superb instructor!
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